{"id":163,"date":"2021-06-14T21:20:21","date_gmt":"2021-06-14T21:20:21","guid":{"rendered":"https:\/\/www.bytefootage.com\/?p=163"},"modified":"2022-02-26T16:44:37","modified_gmt":"2022-02-26T16:44:37","slug":"identidad-territorio-y-memoria","status":"publish","type":"post","link":"https:\/\/www.bytefootage.com\/en\/identidad-territorio-y-memoria\/","title":{"rendered":"Byte Footage: identity, territory, and memory"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":162,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-163","post","type-post","status-publish","has-post-thumbnail","hentry","category-work"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [\r\n 6,\r\n 6,\r\n 6,\r\n 6,\r\n 6,\r\n 6,\r\n 6,\r\n 1,\r\n 3\r\n ],\r\n \"frameMargin\": 1.5,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 0,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {},\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {},\r\n {\r\n \"html_id\": \"no-sticky\"\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2018<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 68\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Byte Footage: identity,
territory, and memory.<\/b><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 2,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 69\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The first edition of the festival, four days of workshops, conferences, and concerts about the artistic use of images and files that circulate freely on the web.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 63,\r\n \"attid\": 162,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01-1280x720.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01-1024x576.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01-768x432.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01-512x288.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-01-265x149.jpg\"\r\n },\r\n \"w\": 1920,\r\n \"h\": 1080,\r\n \"ar\": 0.5625,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The first edition of the festival based at the Centro Cultural Kirchner in Buenos Aires, Argentina had seminars, workshops, and conferences by national and international guests, at the same time the exhibition \\\"Byte Footage: The Image Burns\\\" was inaugurated with works selected from of an open call.<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Concept<\/span><\/h1>


Under the heat of an overproduction of digital images and the emergence of new forms of circulation and reproduction, Byte Footage emerges as a critical proposal about the images we consume. Although the production of images and their manipulation practices have always existed, the digital age and the continuous growth of the consumer society have deepened each of these aspects, to the point of asking ourselves: What is the point of continuing to create images?<\/p>



With: Albertina Carri, Giselle Beiguelman, Francisco Medail, Leandro Listorti, Axel Kryger, Hiedrah Dance Club, Valeria Gonz\u00e1lez, and more.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Team<\/span><\/p>

Directors<\/span><\/p>

Cristian Cutro
<\/span>Julieta Gomez Blumencwejg
<\/span>Manuel Schjaer<\/span><\/p>

Visual Identity<\/span><\/p>

Sofia Gomez Blumencwejg<\/span><\/p>

Communication<\/span><\/p>

Cristian Cutro
<\/span>Giuliana Bosco<\/span><\/p>

Exhibition Coordination<\/span><\/p>

Julieta Gomez Blumencwejg
<\/span>Julia Szejnblum
<\/span>Ana Johnston Gil
<\/span>Lucia Calatroni
<\/span>Santiago Torrent
<\/span>Javier Garibaldi<\/span><\/p>

Programming Coordination<\/span><\/p>

Manuel Schjaer<\/span><\/p>

Open Call Coordination<\/span><\/p>

Sebastian Schjaer
<\/span>Cristian Cutro
<\/span>Julieta Gomez Blumencwejg
<\/span>Manuel Schjaer<\/span><\/p>

Open Call Jury<\/span><\/p>

Albertina Carri
<\/span>Francisco Medail
<\/span>Leandro Listortti<\/span><\/p>

Executive Production<\/span><\/p>

Camila Albertocchi
<\/span>Giuliana Bosco
<\/span>Ana Johnston Gil
<\/span>Lina Velez
<\/span>Florencia Curci
<\/span>Augustin Genoud
<\/span>Facundo Ponzio<\/span><\/p>

Audiovisual Content<\/span><\/p>

Melanie Shapiro
<\/span>Sebastian Schjaer
<\/span>Jose Maria Aviles
<\/span>Trinidad Valcarce<\/span><\/p>

Graphic Design<\/span><\/p>

Sofia Gomez Blumencwejg
<\/span>Lina Velez<\/span><\/p>

Web<\/span><\/p>

Lucas Medina<\/span><\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 83,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"fading\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0,\r\n \"disableClick\": false\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 211,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02-1280x853.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02-512x341.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-02-265x177.jpg\"\r\n },\r\n \"w\": 1920,\r\n \"h\": 1280,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 284,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-1920x1281.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-1280x854.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-768x513.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-03-265x177.jpg\"\r\n },\r\n \"w\": 2270,\r\n \"h\": 1515,\r\n \"ar\": 0.6674008810572687,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 285,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-1920x1281.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-1280x854.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-768x513.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/bf-2018-04-265x177.jpg\"\r\n },\r\n \"w\": 2270,\r\n \"h\": 1515,\r\n \"ar\": 0.6674008810572687,\r\n \"alt\": \"\"\r\n }\r\n ]\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In \\\"Byte Footage: The Image Burns\\\", 15 works selected from an open call were exhibited. The jury of the call was formed by: Albertina Carri, Leandro Listorti, and Francisco Medail; Works by renowned local artists were also exhibited.<\/span><\/div>
\u00a0<\/span><\/div>
The call invited the submission of works in digital format created from images and sounds available on the web, in dialogue with the guiding axes of the festival: identity, territory, and memory.<\/span><\/div>

\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Artists<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Florencia Aliberti (AR-ES)
Rodrigo Faustini (BR)
Karen Akerman \/ Miguel Seabra Lopes (BR)
Andrei Thomaz \/ Marina Camargo (BR)
Mauro Movia (AR)
Manuel Antonio Fern\u00e1ndez (AR)
David Pimentel Segura (PE)
Adri\u00e1n Regnier Ch\u00e1vez (MX)
Miguel Angel Escobar Ramos (CO)
Zahara Gomez (AR-MX)
Wagner Antonio (BR)
The Cherry Blues Project (AR)
Paloma Violeta Gonzalez Santos (CO)
Catalina Bartolom\u00e9 (AR)
Nicol\u00e1s Testoni \/ Ra\u00fal Minsburg (AR)
Eva Shin (AR)
Lino Divas \/ Emmanuel Franco (AR)
Archivo de la Memoria Trans (AR)
Federico Gloriani (AR)
CASo (Centro de Arte Sonoro) (AR)
Luciana Ponte (CO).<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Talks<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 14\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 183,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 3,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 1\r\n },\r\n \"tablet\": {\r\n \"colCount\": 3,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 0\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 0,\r\n \"rowGutter\": 6\r\n },\r\n \"layoutType\": \"masonry\",\r\n \"elements\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 275,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-512x682.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-265x353.jpg\"\r\n },\r\n \"w\": 667,\r\n \"h\": 889,\r\n \"ar\": 1.3328335832083957,\r\n \"alt\": \"\",\r\n \"caption\": \"

Giselle Beiguelman | Aesthetics of Memory<\/p>

From Sao Pablo for the first time, the artist, critic, researcher, and teacher gave a conference on the politics of oblivion in the public and media space.<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 277,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-2.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-2.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-2-512x682.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/conferencia-bf-2018-2-265x353.jpg\"\r\n },\r\n \"w\": 667,\r\n \"h\": 889,\r\n \"ar\": 1.3328335832083957,\r\n \"alt\": \"\",\r\n \"caption\": \"

Albertina Carri |
Fossils and Archives

The film director, producer, and screenwriter on how the archival material became the obsession of an era obsessed with the self that criminalizes oblivion.<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 435,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/georgi-size.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/georgi-size.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/georgi-size-512x679.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/georgi-size-265x351.jpg\"\r\n },\r\n \"w\": 660,\r\n \"h\": 875,\r\n \"ar\": 1.3257575757575757,\r\n \"alt\": \"\",\r\n \"caption\": \"

Georgina Orellano | Liberation of Artivist's Archives<\/p>

The Sex Worker's Union Leader about the communication strategies of the union.\u00a0 <\/span><\/p>\"\r\n }\r\n ]\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Concerts<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 17\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 2,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 148,\r\n \"attid\": 279,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-1920x1281.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-1280x854.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-768x513.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-1-265x177.jpg\"\r\n },\r\n \"w\": 2270,\r\n \"h\": 1515,\r\n \"ar\": 0.6674008810572687,\r\n \"alt\": \"\",\r\n \"caption\": \"

Trrueno y Hiedrah: new expressions of electronic music and dance culture<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 7,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 173,\r\n \"attid\": 282,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-1920x1281.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-1280x854.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-768x513.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/06\/concierto-bf-2018-2-265x177.jpg\"\r\n },\r\n \"w\": 2270,\r\n \"h\": 1515,\r\n \"ar\": 0.6674008810572687,\r\n \"alt\": \"\",\r\n \"caption\": \"

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