2020<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 68\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Open call for works on the effects of technology on bodies. The selected works will be part of the next festival in 2020.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 299\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/08\/habitos-1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 63,\r\n \"attid\": 313,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/08\/habitos-1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-2560x1437.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-1920x1078.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-1280x719.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-1024x575.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-768x431.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-512x287.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/08\/habitos-1-265x149.jpg\"\r\n },\r\n \"w\": 2880,\r\n \"h\": 1617,\r\n \"ar\": 0.5614583333333333,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Selected Abril Carissimo (AR) Concept<\/span><\/span><\/b><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \" The relationship between the human and the artificial contracts and extends in constant modification and simulation. That is why Technological Habits: Bodies and Movements<\/span> explores how technology and the digital archive generate habits and effects on contemporary bodies, movements, and sensibilities.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 333,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \" Jury<\/span><\/span><\/b><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 332,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 3,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 1\r\n },\r\n \"tablet\": {\r\n \"colCount\": 3,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 12\r\n },\r\n \"layoutType\": \"masonry\",\r\n \"elements\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 316,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta-1024x1024.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta-768x768.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta-512x512.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/08\/gala-violeta-265x265.jpg\"\r\n },\r\n \"w\": 1125,\r\n \"h\": 1125,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"caption\": \" Gala Berger\u00a0 (AR-CR)<\/span> Diana Szeinblum (AR)<\/span> Cristobal Cea (CL)
Artists<\/span><\/span><\/b><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Adina Lizeth Garc\u00eda Vel\u00e1zquez (MX)
Ana de Ilzarbe\u00a0 (AR)
Angie Rengifo (CO)
Celia Arg\u00fcello Rena, Pablo Lugones (AR)
Constanza Castagnet (AR)
Daira Ca\u00f1ete (AR)
Delfina Dotti, Alina Marinelli, Gala Gonz\u00e1lez, Margarita Molfino (AR)
El Pelele (AR)
Florencia Vallejos (AR)
Francisca Armando (AR)
Gustavo Bianchi, Miguel Garutti, Heidi Giel, Camila Pozner, Mart\u00edn Flugelman (AR)
Ignacio Barocchi (AR)
Iv\u00e1n Haidar (AR)
Julia Lucesole, Vanessa Salamanca, Amelia Orden (AR)
Julia Sbriller (AR)
Juli\u00e1n Brangold (AR)
Julieta Tarraubella (AR)
L\u00edgia Villar\u00f3n, Nat\u00e1lia Beserra, Murilo Augusto (Grupo Teia) (BR)
Mabel (AR)
Marcos Goymil (AR)
Mar\u00eda Molina Peir\u00f3 (ES)
Mat\u00edas Romero (AR)
M\u00e1ximo Signiorini (AR)
Mercedes Invernizzi Oviedo (CU\/AR)
Milagros Loyola (AR)
Natalia Garc\u00eda Clark (MX)
Nicole Neidert\u00a0(SE)
Nina Kovensky (AR)
Patricia Teles (BR)
Paula Soares (BR)
Santiago Carlini (AR)
Sofia Fiondella, Lucila Berenblum (AR)
Victoria Mar\u00e9chal (CH)<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Gala Berger is an independent visual artist + curator who lives and thinks between San Jos\u00e9, Costa Rica, and Buenos Aires, Argentina. In 2019 she was a member of RAW Acad\u00e9my #6 in Dakar, Senegal. She is co-founder of Museo La Ene (2010-2020), an experimental museum based in Buenos Aires, and of the spaces for Inmigrante (2012) and Urgente (2014). Her works have been exhibited individually and collectively in: Dominican Republic, Guatemala, Costa Rica, Argentina, Sweden, Peru, Mexico, Canada, Brazil, Colombia, South Korea, Germany, Chile, Ecuador, United States, Puerto Rico, United Arab Emirates, among others. She is currently working on the independent feminist project Casa Ma in Costa Rica, dedicated to creating cultural value around the work of women artists from Central America, the Caribbean, and their diasporas.
<\/span>www.galaberger.com<\/a><\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 315,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta-1024x1024.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta-768x768.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta-512x512.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/08\/diana-violeta-265x265.jpg\"\r\n },\r\n \"w\": 1125,\r\n \"h\": 1125,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"caption\": \"
Dancer and choreographer. She completed her studies at the Folkwang Tanz Schule (Germany) where she later joined the company FTS with the artistic direction of Pina Bausch. As a choreographer, she has performed works such as Secreto y Malibu (2000), Alaska (2007), Una cosa por vez (2013), Adentro! (2016). She was invited by the Teatro Col\u00f3n Experimentation Centers (CETC) and the Teatro Argentino de La Plata (TACEC), Teatro La Rivera (CTBA). She staged works for the San Mart\u00edn Theater Company (Bs.As. 2003), Luna Negra Dance Company (Chicago, 2011), Grupo Tumakat (Mexico, 2012), Compa\u00f1\u00eda Nacional (2014). She made performative works for national and international biennials, museums, and institutions, among which stand out: Art Basel Cities, Museum of Modern Art, Museum of Contemporary Art of Chicago, among others. She has published essays in El tiempo es lo \u00fanico que tenemos (Caja Negra), Dance texts (2 (DA) en papel).
dianaszeinblum.com<\/a><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 314,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta-1024x1024.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta-768x768.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta-512x512.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/08\/cristobal-violeta-265x265.jpg\"\r\n },\r\n \"w\": 1125,\r\n \"h\": 1125,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"caption\": \"
<\/span>
<\/span>Artist and also a teacher. He has taught what he does (and what he doesn't) in Animation, Media Arts, and Videogame courses at universities in Chile and the US. He has also exhibited his work in different instances, his favorites being a solo show at the Museum of Visual Arts (Chile), screenings at Microscope Gallery (NY), a show with friends at Nemesio Gallery (Chile), and other festivals and very beautiful things in France, Sweden, USA, Holland, Belgium, and China but never in England or Germany. As a result of what he has done, he supposes that he has received some recognitions such as the Young Art Award (he received it at 36!), the Fulbright scholarship, and other incentives that have made it easier for him to believe in contemporary art, and continue producing<\/p>