{"id":436,"date":"2021-09-20T15:50:59","date_gmt":"2021-06-14T21:20:21","guid":{"rendered":"https:\/\/www.bytefootage.com\/identidad-territorio-y-memoria-2\/"},"modified":"2022-04-21T15:52:34","modified_gmt":"2022-04-21T15:52:34","slug":"sin-senal","status":"publish","type":"post","link":"https:\/\/www.bytefootage.com\/en\/sin-senal\/","title":{"rendered":"Byte Footage: No Signal"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-436","post","type-post","status-publish","has-post-thumbnail","hentry","category-work"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 5,\r\n 2,\r\n 2,\r\n 2,\r\n 6\r\n ],\r\n \"frameMargin\": 1.5,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 0,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {},\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {},\r\n {\r\n \"classes\": \"seccion\"\r\n },\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2021<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 68\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Byte Footage: No Signal<\/b><\/h1>

October 29, 30 and 31<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 2,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 69\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Three days to experience and exchange diverse ways of relating to technology, devices, and their effects on our bodies, at the CCKirchner<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Dragstracta5.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 63,\r\n \"attid\": 526,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Dragstracta5.jpg\",\r\n \"_4096\": \"\/wp-content\/uploads\/2021\/09\/Dragstracta5-4096x2734.jpg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2021\/09\/Dragstracta5-3840x2563.jpg\"\r\n },\r\n \"w\": 5922,\r\n \"h\": 3953,\r\n \"ar\": 0.6675109760216144,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Performance No alimentes a la dragstracta<\/i>. Photos by Mariana Papagni.\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 668\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Workshops, practices, collective listening, live performances, and DJ sets.<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Concept<\/span><\/span><\/p>

Byte Footage returns face-to-face and free of charge, to experience and exchange diverse ways of relating to technology, devices, and their effects on our bodies.<\/span><\/div>
\u00a0<\/span><\/div>
Our cloud is out of space, and digitality needs to be rethought. Byte Footage: No Signal invites you to materialize, imagine and translate the infinite digital knowledge we have into physical spaces of exchange and thought. We invite you to connect with different crafts and abilities that remind us that our bodies, and our senses are primarily material matters.\u00a0\u00a0<\/span><\/div>
\u00a0<\/span><\/div>
This edition offers workshops, practices, collective listening parties, live performances, and DJ sets by artists and groups such as the Red Multisonora, the activist group #proyectorazo, the visual artist Nina Kunan, the ensemble Corina Wilson, the sound artists Aylu, Vic Bang, POV, and many more.<\/span><\/div>
\u00a0<\/span><\/div>
In addition, the Exhibition: No Signal<\/em> is inaugurated with 33 works selected from an open call launched during 2020. With production in Latin America, the works explore points of contact between technologies, bodies, and the digital archive.<\/span><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Team<\/span><\/span><\/p>

Directors<\/span><\/span>
<\/span>Julieta G\u00f3mez Blumen
<\/span>Camila Albertocchi
Julia Szejnblum<\/span><\/p>

General Production<\/span>
<\/span>Camila Albertocchi<\/span><\/p>

Programming<\/span>
Julieta G\u00f3mez Blumen<\/span>
Julia Szejnblum<\/span><\/p>

General Coordination
Tomo Cabrera<\/span><\/span><\/span><\/p>

Communication\u00a0<\/span>
<\/span>Aracoeli Begega
Tomo Cabrera<\/span><\/span><\/span>

Curator of the Exhibition<\/span><\/span>
<\/span>Hern\u00e1n Kacew

Graphic Design<\/span>
<\/span>Lucas Belfiore<\/span>

Web<\/strong>
Juan Pinkus<\/p>

Jury for the exhibition
<\/span><\/span>Diana Szeinblum
<\/span>Gala Berger
<\/span>Cristobal Cea<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 11\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 83,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"fading\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0,\r\n \"disableClick\": false,\r\n \"fillSlides\": true\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 514,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Exhibicio\u0301n-Sin-Sen\u0303al-51-copy.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Exhibicio\u0301n-Sin-Sen\u0303al-51-copy.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/09\/Exhibicio\u0301n-Sin-Sen\u0303al-51-copy-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Exhibicio\u0301n-Sin-Sen\u0303al-51-copy-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Exhibicio\u0301n-Sin-Sen\u0303al-51-copy-265x177.jpg\"\r\n },\r\n \"w\": 850,\r\n \"h\": 567,\r\n \"ar\": 0.6670588235294118,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 519,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-48.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-48.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-48-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-48-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-48-265x177.jpg\"\r\n },\r\n \"w\": 850,\r\n \"h\": 567,\r\n \"ar\": 0.6670588235294118,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 516,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-49.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-49.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-49-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-49-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Inauguracio\u0301n-SS-49-265x177.jpg\"\r\n },\r\n \"w\": 850,\r\n \"h\": 567,\r\n \"ar\": 0.6670588235294118,\r\n \"alt\": \"\"\r\n }\r\n ]\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Photos by Mariana Papagni<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u00a0<\/p>

The body in the digital world abandons the material and finite and opens up to other possibilities of existence between the borders of the artificial, the physical, and the emotional. Investigating various uses and ways of relating to our devices is essential to understand the effects they have on our lives.<\/span><\/div>
\u00a0<\/span><\/div>
No Signal<\/em> is an exhibition that explores the different points of contact between technologies, bodies, and the digital archive. Produced mostly in Latin America, the exhibited works experiment with the limits between the virtual and the material to propose other ways of inhabiting our bodies and relating with our devices.\u00a0<\/span><\/div>
\u00a0<\/span><\/div>
This exhibition was born during the pandemic with an open call by Byte Footage. Among 900 applications, a jury formed by Diana Szeinblum, Gala Berger, and Crist\u00f3bal Cea selected the 33 artworks that constitute it.<\/span><\/div>
\u00a0<\/span><\/div>
Curator: Hern\u00e1n Kacew<\/span><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition
<\/span>Artists<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Abril Carissimo (AR) , Adina Lizeth Garc\u00eda Vel\u00e1zquez (MX), Ana de Ilzarbe (AR), Angie Rengifo (CO), Celia Arg\u00fcello Rena (AR), Pablo Lugones (AR), Constanza Castagnet (AR), Daira Ca\u00f1ete (AR), El Pelele (AR), Florencia Vallejos (AR), Francisca Armando (AR), Gustavo Bianchi (AR), Miguel Garutti (AR), Heidi Giel (AR), Camila Pozner (AR), Mart\u00edn Flugelman (AR), Ignacio Barocchi (AR), Iv\u00e1n Haidar (AR), Julia Lucesole (AR), Vanessa Salamanca (AR), Amelia Orden (AR), Julia Sbriller (AR), Juli\u00e1n Brangold (AR), Julieta Tarraubella (AR), L\u00edgia Villar\u00f3n (BR), Linn Ragnarsson (SE), Nat\u00e1lia Beserra (BR), Murilo Augusto (BR), Mabel (AR), Marcos Goymil (AR), Mar\u00eda Molina Peir\u00f3 (ES), Mat\u00edas Romero (AR), M\u00e1ximo Signiorini (AR), Mercedes Invernizzi Oviedo (CU\/ AR), Milagros Loyola (AR), Natalia Garc\u00eda Clark (MX), Nina Kovensky (AR), Patricia Teles (BR), Paula Soares (BR), Santiago Carlini (AR), Sofia Fiondella (AR), Lucila Berenblum (AR), Victoria Mar\u00e9chal (CH).<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Programs
during the festival<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 17\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 2,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 728,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 3\r\n },\r\n \"tablet\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"layoutType\": \"masonry\",\r\n \"elements\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 512,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Armado-de-cables-16-copy.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Armado-de-cables-16-copy.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Armado-de-cables-16-copy-512x767.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Armado-de-cables-16-copy-265x397.jpg\"\r\n },\r\n \"w\": 757,\r\n \"h\": 1134,\r\n \"ar\": 1.4980184940554822,\r\n \"alt\": \"\",\r\n \"caption\": \"

Workshops<\/span><\/p>

Explore what we can do with our hands and bodies with Nina Kunan, Proyectorazo, Corina Wilson y Red Multisonora<\/span>

<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 518,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Vic-Bang-9-copy.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Vic-Bang-9-copy.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/09\/Vic-Bang-9-copy-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Vic-Bang-9-copy-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Vic-Bang-9-copy-265x177.jpg\"\r\n },\r\n \"w\": 850,\r\n \"h\": 567,\r\n \"ar\": 0.6670588235294118,\r\n \"alt\": \"\",\r\n \"caption\": \"

Listening Parties<\/span><\/p>

In the darkness, live performances through speakers with sello ABBYS y Fantas\u00eda y Abstracci\u00f3n<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 521,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Abyss-17.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Abyss-17.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Abyss-17-512x767.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Abyss-17-265x397.jpg\"\r\n },\r\n \"w\": 757,\r\n \"h\": 1134,\r\n \"ar\": 1.4980184940554822,\r\n \"alt\": \"\",\r\n \"caption\": \"

DJ sets<\/strong><\/p>

Sunsets and dancing with Aylu y POV, and Internacional Bailable Soundsystem<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 513,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/09\/Celia-Arguello-11-copy.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/09\/Celia-Arguello-11-copy.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/09\/Celia-Arguello-11-copy-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/09\/Celia-Arguello-11-copy-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/09\/Celia-Arguello-11-copy-265x177.jpg\"\r\n },\r\n \"w\": 850,\r\n \"h\": 567,\r\n \"ar\": 0.6670588235294118,\r\n \"alt\": \"\",\r\n \"caption\": \"

Performances<\/span><\/p>

Plays that explore the relation between technologies and our bodies by Celia Arg\u00fcello, Nina Kovensky, Dragstracta, and Sof\u00eda Fiondella and Lucila Berenblum<\/span><\/p>\"\r\n }\r\n ]\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

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